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trustycoffeemug

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zombie

trustycoffeemug
(n.) a corrupted term deriving from bantu by way of haiti. according to folklore the zombie is a hollowed-out shell of a human being, utterly devoid of any semblance of free will, just like (insert-adherents-of-unpopular-political-movement here).

if there is any truth to the stories of zombies, it may derive from the shamanic use of pufferfish toxin to place individuals in a state of excited catatonia. whereas this is a topic best analyzed by historians, and therefore boring, the concept has influenced a number of popular horror movies in which masses of zombies are presented as a stand-in for consumerism or man's inhumanity to man or some nonsense.

irish rock band the cranberries once expressed interest in the contents of a zombie's head

precious metals

trustycoffeemug
there are a number of naturally occurring metallic elements which have historically been noted to be worth significant monetary value, by which standard mining them has been known to be extremely lucrative. historically some of them have been used to mint coins, and today people invest in large lumps of them

among these precious metals are gold (the mac daddy of precious metals, which glows like the sun) and silver (the mac mommy, which glows like the moon), as well as platinum and its orgy buddies ruthenium, rhodium, palladium, osmium, and iridium (these guys just sort of glow like industrial kitchenware).

it is unclear which of these is used to make printer's ink, but it must surely be one of them.

credenza

trustycoffeemug
(n.) a dining room cabinet or sideboard, short enough to serve as a secondary table, in which one (presumably one unwilling to admit they have a problem) may store their booze.

the name 'credenza' comes to us from italian, and means 'trusted one,' apparently because these cabinets were where food was taste-tested for poison before being presented to the pope

bronze

trustycoffeemug
(n.) the red-tinted stepchild of precious metals, a mutt born of wanton copper and petulant, abrasive tin.

ever in the shadow of its more accomplished siblings gold and silver, bronze lived an unromantic yet functional existence as a material for weaponcrafting, until it reached high school in the 13th century and was bullied out of existence by steel

scarecrow

trustycoffeemug
(n.) a straw human acting as a piece of autumnul decor, as well as to frighten corn thieves away from corn (it operates on the same principle as the panopticon; the corn thief cannot be sure if the scarecrow is a real human capable of reprisal or simply a sack of hay. the uncertainty eats them alive from the inside until they destroy themselves.

compare gargoyles, similarly created as symbols of fear to ward off evil

akbar

trustycoffeemug
(1542-1604) third ruler of the mughal empire, which was based in india but whose ruling class was persian. akbar was a fascinating study in contradictions; although illiterate (possibly dyslexic), he was a patron of intellectuals and philosophers. although an accomplished military leader in a land of sectarian conflict, he promoted peace and understanding between his muslim and hindu subjects

under his rule, the mughal empire grew to encompass much of india, and reached a golden age characterized by unimaginable heights of prosperity. then everything just sort of fell apart after he died. ah well.

no, he was not a space squid, and he did not help destroy the death star

chicken

trustycoffeemug
(n.) the demon cluck-bird is its name, eat its wings to make it tame

these birds, often raised domestically on farms, are known for their gormless stupidity and delicious versatility: their flesh is high in protein, their eggs make a nourishing breakfast, and their necks are easily wrung for convenient sacrifices.

defying the age old philosophical query, there is no particular motivation a chicken might have for crossing a road, as they do not know what roads are.

internet

trustycoffeemug
(n.) the closest thing to god that humanity has yet created, and very likely to destroy us some time in the future. the internet is like a vast beehive of information of which computers are mere waxy cells.

according to legend, the heart of the internet is a gigantic central server built into a volcano, guarded by armies of orcs in little button-down shirts and maybe al gore or something

fetish

trustycoffeemug
(n.) an obsession of a sexual nature; one of the major drivers of activity on the internet. because of the diverse array of refined perversions that afflict humanity, virtually everything is someone's fetish: a certain body part, a certain article of clothing, a cartoon character, the inversion of traditional gender roles, one's ethnicity and cultural heritage, good dental hygiene, bad dental hygiene, smearing condiments all over yourself, dressing up as an animal and pretending to maul one's partner, actually letting one's partner be mauled by animals, etc.

the word 'fetish' has also been used as a synonym idol (i.e., a physical object of religious reverence), but this usage has mostly been phased out in favor of the aforementioned perversion.

old people

trustycoffeemug
humans who have done a lot of aging, reaching the later stages of the species' life span.

in many cultures, old people are revered for their wealth of experience, just as they are shunned for being weird, liver-spotted grouches who drive you up the wall with their interminable rambling stories

media

trustycoffeemug
(n.) the catch-all term for nationally-syndicated televised news programs; these can be thought of as analogous to cartoons, only viewed by old people (though the cartoons tend to leave the viewer more stable)

frankenstein

trustycoffeemug
an 1881 novel written by mary shelley. arguably one of the earliest known works of science fiction and the origin point for one of fiction's greatest monsters, nobody has read it, because there's a more popular movie.

the plot concerns an obsessive doctor who believes he can synthesize his own life form, but upon doing so, he fails to raise it properly, leading to a very bad wedding, an expedition to the north pole, and many ponderous philosophical arguments.

differences from the source material: in the book, the monster was motivated by revenge outright, and was pretty chatty. since the 1931 movie, people have thought of frankenstein's monster as a voiceless, child-brained hulk who doesn't fully realize the consequences of his own actions.

to be absolutely clear, the monster is not named frankenstein. the monster is never given a name. but we can call him dave, if you like. in any case he is widely acknowledged as one of the all-time groovy ghoulies, like dracula and the wolf man

differences from the source material

trustycoffeemug
hollywood big shots enjoy making movies (or at least, they keep doing it; who knows if they enjoy it). but scripts take a lot of time to write, and sometimes it saves time to simply take a pre-existing work of fiction and modify it for the big screen. however, sometimes the source material does not pass through such modification unscathed.

the movie-fication process often takes pains to shorten, lengthen, doll up, ugly up, or in other ways mutilate the source material. e.g.:

* apocalypse now: the original book, 'heart of darkness,' is set in 19th-century Africa instead of vietnam.
* a clockwork orange: alex is cured of his violent tendencies in the end
* forrest gump: gump goes into space with a monkey and a porn star
* jurassic park: the lawyer wasn't a bad guy but hammond was
* starship troopers: the movie and the book both examine the message of "the army is way cool, and better soldiers make better citizens." the book honestly expects the reader to agree with this message, while the movie is laughing in your face for thinking it for even a second.
* who framed roger rabbit?: is about comic strip characters, not animated cartoons, and the killer is like a magic genie or something.
* every stephen king book: doesn't suck. well, not all of them.
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